It’s been a while since I have blogged. I think that in the whirlwind of the year, a lot of stuff has happened to me, and in my life and I just… disappeared? Let’s start with the good news. I have officially been given the title of Managing Editor at my magazine. I am starting as a production manager at a startup lit mag. I am published (yay). I will be applying for my PhD this fall.
It’s been a really good year for me. And while I have not been able to do the sort of writing that I wish I could do, I have been able to continue to go further and to new heights in my actual personal life, career, and everything else. I’ve seen more of my friends, traveled more places, and in general not gotten sick (knock on wood).
But, in all of that I have come to the conclusion that while I think I could do social media well, I’m not sure that’s the path that I want to take for book marketing my novel. I’ve tried for the last few months to do TikTok, and while I can record videos every day, it ends up being more of a chore because I am constantly on the move for my jobs and what I am doing in the real world (so to speak). So, I think I’m going to refocus elsewhere. I always knew that people need to focus at what they’re good at and focus on the social medias that matter to them.
Thus, I’m going to refocus on my blog and YT. I’ve always been good at my blog and YT, and I personally think I can do both better. So I am. Short term videos are not for me.
That means! I’ll be posting more here, as bigger developments happen for my books and my projects.
Current projects in the docket:
Dark Academia/ Dystopia novel (First draft)
The Time In Things – Short Fantasy novel
Neighbor’s memoir
Poetry collection
Restarting the webnovel project.
I’m going to find more effective ways to market my books in ways that matter to my readers. I think that is so much better for me in the long term and long run. That means actually making a newsletter. Actually finding book marketing places online. Attending bookish events here on the West coast (and then hopefully throughout all of the US).
That’s cool and all Marlena, but why did you decide to name it Fox Fairy Font? Why did you decide to self publish? What are your future goals with Fox Fairy Font?
Excellent Questions!
WHY FOX FAIRY FONT
When it comes to the name “Fox Fairy Font” I rather think that this is self explanatory, but I can break it down for you.
Fox = Favorite Animal.
Fairy = One of my favorite fantasy creatures
Font = a third word that starts with “f” and has literary implications.
Is it really that simple? Yes. This isn’t rocket science, it’s creating a name that will stick in the minds of those that say it. I wanted to invoke something that screams “me” while also having the air of a real publishing house. I could have gone with one word, but I decided that all good things come in threes.
It also just so happens that foxes and the Fae (in lore) are both cunning creatures. They are also tied together. They’re both tricksters after all.
WHY SELF PUBLISH
I wanted to traditionally publish, don’t get me wrong. However as I continued to develop the multi-verse that I was working on and the more that I learned about specific aspects of the publishing realm, the more I wanted control over all the pen names and the content. I may make a larger post about this in the future, but for now, know that I am doing it because I want to. Know that I am proud to be doing it and honestly while my mind has changed since 10 years ago when I swore I never would, this has been an interesting step for me growth wise.
It’ll be difficult but I’ve done difficult things in the past. I’m not too worried. Because at the end of the day, I’ve always been writing for myself. I’m selfish and I recognize that.
CURRENT PLANS
My current plans are relatively simple. I plan to use the company to publish my books. This year (2025) I plan to publish one and get YP back up and running for weekly rereleases. In the future (2026 and on) that will probably move to 2 or more.
I plan on using this company for all of my pen names.
PEN NAMES AND THE EXPANDED UNIVERSE
Oh I can not WAIT to go further into this in the future, and I will. For now, when you visit my website you will see three two pennames outside of Marlena Marie: Astrid Axton and Bella Brax. Bella Brax will be taking on the Yasloughve Project from this blog. I will be reediting that and getting it live hopefully sometime late 2025. I am still debating on having a separate website for Bella and I think I may because it will be easier for people to go to the website to find things. We’ll see.
Otherwise, Astrid Axton is name which I’ll use for my first published physical book.
And, Voidfriends, you’ll see that the multiverse officially has a name: The Voriad. It’s a portmanteau of void and myriad. I will go more into the breakdown of the codes, timeline, and “location sequencing” I’ve created to categorize all the books in the voriad.
In short the voriad is the mutliverse that I’ve created that contains all my novels, canonically. Essentially, all books written by Marlena Marie are a universe (which is coded as [STN] ) there are authors in that universe that I am using as my other pen names (like Astrid Axton/AA and Bella Brax/BB). All of the books written by [AA], [BB], [IC], [EK], and [LL] exist canonically in [STN]. This will all come into importance as we get into the [SOS] and [SDS] books.
If none of this makes sense to you, that’s okay. It’s not supposed to. It’s meant to make sense to me. One day you’ll understand it, but for now I recommend saying, “wow Marlena those are pretty brackets” and ignore it.
FUTURE GOALS
First things first, I want to make Fox Fairy Font a full company with employees. I want to have people to help me with the production and the distribution of my books. Once I am able to support a full staff, and can sustain us on my writing (in a perfect world), then we go to phase two.
Phase two, is expansion. I would love to publish other people’s books other than just my own. I want to have the infrastructure in place before I go with this option, since I want to be able to provide the best service available.
Step 1: Hire editors
Step 2: Open for Acquisitions
Step 3: Fulfill the promise.
Of course, right now, this is not particularly possible. I recognize that. However, we all have to have goals. For the longest time my goal was to publish a book. Now that’s happening. That means I need to make another, and another and another. I am not entire sure what the future holds for me. I am certain it will be rife with grief and joy (I am a people pleaser and I really hate people hating me, but that’s the life of an author).
I am certain that regardless of what the future holds it is what I want. I’ve wanted to publish my books since I was 13. It’s now happening because I’m making it a reality. I’m excited to finally reach those dreams.
It has been the better part of the year and I realize that I have gone fundamentally radio silent. In part this is because of my job. It is also because I have been working on the edits for the book I plan to self publish next year.
I don’t have a lot to update you on, not really. But I do plan to get into the full swing of things (website, yt, etc) next month.
And while I know I’m the only one who can hold me accountable, really, I hope that you all send me your best wishes.
This is a very short update, otherwise, to tell you that I am well.
Hello Everyone. Welcome Voidfriends, Voidfolk, and those who are coming to my website just because the internet led you here and you have no idea what Voidfriends or Voidfolk mean (you are Voidfolk btw). This is my Self Publishing Resource Guide.
This is by no means an all encompassing, fully functioning, end-all-be-all guide. But it is a start. The most important step in the self publishing journey is research. Research. Research. Research.
Who are good editors? Where to find editors? How to determine good editors. How to find cover artists. What about layouts? There are so many questions you may have (that I have) and this is a relatively good place to start.
I think, at least. The older I get, the less I remember, and the more, I’m sure, I make up. The details of our exact age are negligible, however. I know that this had to have happened before the 7th grade, because by that time it was too late (for that’s when I met Cynthia, and I know I had the key by the time I met Cynthia). I might have been eleven, but I’m almost certain I were ten, and that she was eleven.
Me and Cyndy, that is. This is not to be confused with Cynthia who is a year younger than me, that I met on the bus. No, Cyndy is a year older than me. Cynthia and Cyndy look the same, eye color, hair color, skin colors (almost). They aren’t related. Obviously. They share the same name, afterall (although I call Cynthia – Cyndy, and bus Cynthia is just Cynthia). Their family circumstances are completely different. And their temperaments? Night and Day. Cynthia is the kind of girl who will stay home and get high, telling stories of wondrous worlds, and making you question the whos and the whats and the why we ares. Cyndy is the kind of girl who goes shopping (always), uses credit cards like money grows on trees, and parties till the sun rises, with new people all the time.
Both are lovely.
Either way, this was, before Cynthia. It was only Cyndy and me, and our families, who have been family friends since we were born. We were in the woods. The two of us swear by fact that it was the Redwoods, but the older I get the more that seems like nonsense. It could have been another national park or state park we went to, not that it matters, what happened isn’t possible in any of them. So, I’ll say it was the Redwoods, and that’s where we’ll begin.
I was ten, standing under the towering trees of red, that reached up so high into the sky that I was afraid I’d break my back trying to stare up. I never did see the tops of them. And the trees were wide, so large that cars could go through, so massive that I felt so insignificant, so tiny, so childlike. This was how I found the whismy that came from the freedom of nature. It was so powerful, and I was so small. It was so beautiful, and I knew that no matter what I ever tried to do or say, I would never be able to give the woods the justice that they deserved.
I would never be able to properly describe it.
We were hiking, or rather going for a walk, the nine of us (my family of five and Cyndy’s family of four). Our parents kept an eye on us, but they let us wander. Never get too far. If we can’t see them, then we need to go back. Always have a buddy, and for me that was Cyndy. Cyndy and I ran along the path, looking at the trees. Or maybe only I was running, whispering to them. For I’m pretty certain that at this time Cyndy thought I was strange, not that she doesn’t think I’m strange now, but that we are sisters now and back then we were only friends. (Sisters can think eachother are strange, but friends? That is a possible deal breakers. We’ve been through enough to no longer care.)
Cyndy chased after me, telling me I was going too far down the paths. We had picked a way to go when the road forked and I wanted to go further. I did. Hurrying along, we came to a shop, in the center of an intersection of paths. It was not one of those pop-up shops, but a freestanding building, with a few other shops around it. Different and odd names, candy stores, books and maps, and the antique store that was two floors. It was this store that Cyndy and I went into.
What’s important to note about this, is that when we left the shop, keys in hand, joy on our lips in the form of laughter, we had fully intended to come back. We wanted to go to the candy store next door, but Cyndy and I did not believe we would receive anything for free as we had from the antique store. We had run to find our parents, them not particularly worried. We hadn’t been gone too long. What had felt like forever to us, had been no more than a minute or two. And when we led them to where we had seen the shops, they were gone. Our family told us we might have taken the wrong way, Cyndy and I knew better.
The shops were there. And then they weren’t. All that remained, for me, was a small golden key, to no real door, hanging around a black velvet string. A key that I still have. A key that has never opened a single door, and is constantly a peculiarity to me.
The antique shop was filled, like those book stores where the items tower high and in arcs, a maze of a mess, with no real direction through the madness. Mirrors of all shapes and sizes resting on the walls, with name plates under them or written on them of strange characters or places we had never heard of. And if you starred long enough into one, it was almost like you were starring into another world behind you.
There were paintings too, with time periods, no name or artist, of different people and places. There were door frames with no doors. Doors with no frame, leaning against the wall. Walls and walls of shelves, shelves in the middle of the room. Tables thrown about in every which way, laying on their side, their face, from the ceiling. Books that were all about, locked up tight behind glass or laid open on stacks atop the accessories in the room. Tea cups, postcards, record players. The longer one looked, the more one saw. Bird cages, pianos, metal candle holders and pots, instruments, wind chimes. Vases, plants, bottles, clothes, hangers, clocks. And locks. There were so many locks. Locks on books, on doors, on door frames, on mirrors, hanging from the ceiling, lining the floor.
Locks.
And there was a staircase, that was narrow and tight, leading up to a second floor, beckoning us forward.
“Can I help you?” The only worker there was the man in white. He was dressed in a white button down, with a white mustache, and stark white hair, and black pants. He had a white apron and white gloves on, with black framed glasses and the whitest teeth we’d ever seen. He told us his name then, but neither Cyndy nor I remember it now. He was a young man, no more than twenty-five, but his eyes held wisdom of a person of more than a hundred, and neither of us knew how young he truly was until we talked about it later.
We told him we were just looking, and he showed us around the shop, to all the locks and mirrors and pictures and books. To the toys and clothes and desks and nooks. To the corners where we could crawl through tapestries, and the secret back room where the candy store kept their candy. The man in white led us through this shop for hours, telling us stories about all that we pointed out.
Then we went upstairs.
Upstairs was dark, it was not filled with the light of a hundred lamps, like the downstairs was. Nor was their sound, which until going to the second floor we had not realized that there was an ambience of light jazz music playing on the floor below. Upstairs was lit by glow in the dark bottles and potions, and paint that dusted the sides of the walls like constellations. With a flick of his wrist the man in white lit a candle that then lit another and another until the room was glowing in the blue glow of the dark light potions and the soft amber of flame.
There were tables here, decorated in strange artifacts, however the table of note, and the one of importance, was the table of keys. It was not until we were leaving the upstairs that we had realized that the walls and floor were covered in keys, hidden behind painted glass, thousands of them. All different. On the table, however, there were only five set on thick black velvet.
The first key was silver, small, with a deer decorating the top of the key for the loop. It had three prongs, and odd runes that made strange words that the man in white could read.
The second was black, two prongs, big and heavy, made of iron, he said. The handle was too big for my hand, and the loop at the end was nothing special, until he waved a candle over it and it glowed from the inside.
The third was my key, the one I ended up taking. A gold key, larger than the first, much smaller than the second, three rivets in a row, with a loop at the end that was shaped almost like a heart with design that looked like leaves.
The fourth was silver again, but this time it had painted veins of blue that pulsated as it grew cold and dark around the key. It was large, but not too large, and was cut as a modern key was, despite looking so old.
The last was bronze, with a large loop at the end, of three circles wrapped around each other to form a globe, with a crystal hanging from the inside. The key blade itself was just a long rod, that looked like nothing more than a stick, until it was moved and one could see the indentations imbedded into the metal, creating grooves.
Each key had a task or a weight, something that had to be given to take.
The first was a promise, to give one that could never be taken back or broken or else. The second was of heat, of passion. Glory could be achieved but would it be worth it? The fourth was for stability, a million worlds could be reached, but no true home would be found. The fifth was a soul. Whose? The man in white would not say.
The third was “you will know.”
I still do not know.
“Take a key, or leave. You don’t have to take one. But you can.”
“Can we both take one?” We had asked.
“You may.”
I took the third key of gold and Cyndy took the first key of silver, promising never to lose it. She last saw the key when she was twelve, under her bed, not where she had left it, and then she never saw it again. I am not sure what she gave to lose it, or what she lost when she lost it. Was it the chance at opening doors? I will never know.
The man had told us not to worry about paying, for payment was already made and then we ran downstairs, and away, the man in white waving at us from the counter. A beautiful man.
It was only upon looking back, when much older, that Cyndy and I realized just how strange and wrong it all had been. We could have been lost forever. We could have been hurt. And despite having full faith in the man in white, the shop was just so strange, so unreal, so magical that both of us chose to ignore it existed, disregarding the fact that I still had my key and no logical answer could be given to how I got it. My parents didn’t remember buying it for me. I had never gotten it as a gift. And thus we were stuck realizing that the two of us in our naive world had wandered onto something unfathomable, and unreachable ever again.
When I was seventeen, Cyndy and I were out shopping when we both stopped. There across the busy shopping center we both swore we saw him, but when we chased him to ask, we found ourselves not only wandering back from where we had come, but certain we had not saw him at all. I believe this, too, was his magic.
When I met Cynthia in the seventh grade, she had said some strange things to me. Of note was one strange man in all black that she had met once at her aunts house who had come to get a key from her aunt, with sharp white teeth. He had wanted the key from an attic long locked. Her aunt had died a few months later, in a mysterious fire that started in the same room. Apparently no one had ever opened a door, so she never did know if he had gotten the key. It was this same strange man that the two of us swore we saw on the bus one day when it was stopped at a light, starring at us from a gas station parking lot waving.
That was when Cynthia had seen my gold key and asked me what it was worth and to which I replied: “I do not know.” I still do not know.
There are strange things surrounding the Cynthias and I, very strange things that I can not place. But this key, I have never lost, despite trying to. I have always remembered. And somehow for some reason, I feel like it is as a part of me as I am to it.
And I am still waiting for the door, the door that I might be able to use this key on. I have not found it yet, not for lack of trying. But I know that when I do, that is when I’ll know what it costs.
She slipped through the alley, masking her footsteps to match the bustling noise of the nightlife and the pitter patter of the rain. Light footsteps hiding her actions, in order to disguise her and make her disappear. The night was busy with cars and honking, letting her sound drift away as her body shimmered out of sight with the flickering of the nights.
Two breaths. Three.
Street lights, like all lights, created a circle. It was the halo of protection from beings like her. Those who lived in it, would not — could not– be touched by her. Cities such as these were a killer to her kind. However, the brightest cities had the darkest corners.
Three breaths. Four.
She had lived for long enough, been burned enough, to know how to avoid the lights, to skip around them in a dance as she moved about the world to capture her prey that was lying in wait. Hood over her head, she walked with a sucker in her mouth, humming to herself as she stepped closer.
Four breaths. Five.
The man was cowering and tumbling to the ground. She could smell the stench of sweat and piss dripping down his leg to a puddle on the ground. Then there was the blood. That was what really drew her. She would never lose him as long as his leg bled the way that it did.
Five breaths. Six.
The shadows were tossing about around her, hungry. They were so hungry. Their last meal had not been long, but the shadows were greedy, and that made her ruthless. She aimed to only go after scum. Those who hurt their partners, murderers, and hurt children. She had a set of morals that most of her people found painful. The light-dwellers were not their own. Thus, they were like any other form of live stock. Good or bad live stock? Such things were negligible.
Six breaths. Seven.
She still cared anyway.
Seven breaths. Eight.
She stood over the man, as he panicked and had hit a wall. He starred up at her, fear rampant in his eyes, as the lights around her flicked until they dimmed. They could not go out, as that would draw notice, but dimming was okay.
Eight breaths.
“Monster.” He called her. As if she hadn’t heard that one before. He was not the talkative type. Nor the fighter type. He was already resigned to his death, and this final statement was nothing more than a cry for help.
Hand out, the shadows devoured the man, leaving her basking in the cool wind of the night as her power returned from her, leaving nothing behind on the floor before her.
“What are you?” she heard from behind her.
She turned to find another girl standing in the light. Not one of her kind. She gave a name not an identity. “Emily.”
“Emily?” The girl in the light, furrowed her eyebrows. “What are you?”
“Its standard practice to give a name in response.” Her shadows filtered about her, condensing and retreating into the darkness.
“What are you?”
With a sigh, Emily was her name now, glared at the woman. “Not a vampire, if you’re wondering.”
“Obviously.”
“Leave.”
“Aren’t you–“
“Vampires are nicer than we are. Leave.” She took out the sucker stick in her mouth and dropped it to the ground stepping on it. The woman did not budge. Groaning to herself, she weaved her shadows to the back of the alleyway, and turned herself to leave. Her shadows consumed the alleyway, as she pulled out another lollipop and started walking towards the other exit. The screams sounded around her as she moved further and away, the muffled cries resonating in her as she moved.
Innocent blood tasted different than tainted blood. She felt it on her tongue as her shadows consumed the woman, and forced herself to eat more candy. The candy had to be more important than the lovely taste that came from the woman’s soul. She needed to keep her mind about her.
Skip in her step, she placed her hood lower, and put her hands in her pocket, walking out in to the light. Her shadows condensed around her and into her hood to protect her from the remaining street lights that she could almost walk under.
I suppose this means I’m back to filler episodes weekly. This week’s filler episode is the end of an arc. The arc on myths I like. Look up Myths pt 1 to see what this is about, but basically its my dos and don’ts of using myths and legends. also gush over historical dramas and stuff. I guess.
I know that this is making me sound like I don’t want to do it. I do! I just want to get to the third part more (on my favorite fantasy creatures). Without further ado, Dos and Dont’s.
Happy Wednesday everyone! As we have seemed to run out of other content that I could possibly give you, we are back to these “filler” posts about random things that I’m not sure you care about. Either way we continue on, as this title suggests. For the first part go here.
Today we talk about Arthurian legends and stories based on the legends.
I would like to start this by saying that you, as an audience, are terrible with filling out polls. Whatever, I decided to start with tropes. If you have questions, feel free to ask.
In general there are Tropes that I like as compared to tropes that I don’t care about or hate. I had to think of this for a while, and google some ideas of what tropes exist when I went into a blank. Because to be honest there are far more tropes that I don’t like than the ones that I do. I feel like I should make a post about tropes that I hate too. I guess I have a post for next week then.
Memories. They come and go tickling the senses as they do. The smell of grass. An old book. Spring rain. Autumn wind. The feeling of summerโs heat, blue skies, or gray ones if you like. I know that when I hear the sound of bike bells I remember the years of riding our bikes and skate boards and scooters to the park. The baseball game would be going on and with our twenty dollars we could fill up our small bags with candy and sweets. But we had to be fast or else our parents would notice we left the neighborhood. All that candy we just bought? It needed to be scarfed down before we forced our stomachs to endure a healthy food shock that was dinner.